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I would like to express some additional comments regarding “Contempt.” In your review, you referred to Alberto Moravia, whose novel, “A Ghost at Noon,” was the basis for the film. You might be interested in learning - if you do not already now - that he is also the author of several other works that have been adapted for the screen, including “The Conformist,” “The Empty Canvas,” “Time of Indifference” and “Two Women.” The books are expertly translated. Personally, I highly recommend “Two Adolescents.”

Thanks for your comments. You are correct. I should have given “credit” to both Coutard and Delerue. This hits upon one of the tricks in podcasting. Unlike like text, you can’t go back and add a few sentences. For me, a scripted approach, which would ensure that I say everything I mean to, does not work. Instead, I prefer to approach my podcast, much as I would a conversation. (I cheat a little and jot down 5 or 6 bullet points and a few names but that’s it.) I feel it sounds more natural, conveying my sentiments and enthusiasm more effectively. The downside is that sometimes I finish and realize there was something I meant to comment on or say and had forgotten. This is such a case. I actually had Delerue’s name written down in my notes but when I finished I realized I had not used it. Unfortunately, the choice then is to do the whole thing over, or at least a large portion or just live with it. I’m sure you can appreciate; usually I choose to live with it.

Thanks again. I’m glad you are enjoying the show.

Thanks for your review of Godard’s Contempt (Le Mepris). I saw it years ago at the Museum of Modern Art and was struck by its scenic beauty. Months ago I read about 4 books on Godard. From what I recall the camera moves, uninterrupted, back and forth in the pivotal scene between Bardot and Piccoli. (I’m not sure you mentioned that, though you did remark on the camera’s amazing mobility within that confined space.) Also, as you were understandably impressed with Raoul Coutard’s cinematography and Georges Delerue’s musical score, I believe that both of these artists deserve credit in your review. Now having said all of that, let me thank you sincerely for sharing your love of film with such enthusiasm and insight. Keep up the great work!

Best Wishes,

Barry

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